Dr. Martens Jorge II Mule - Black
Dr. Martens Jorge II Mule - Black
$129.99

2 Colors Available:

Dr. Martens Jorge II Mule - Black

$129.99

Celebrate the sunnier months with the new Jorge II Mule by Dr. Martens! This carefree slingback rocks durable Brando leather uppers with Goodyear® welt sole construction, slimmer footbed design, and hook-and-loop sling strap for easy on and off. Available at select stores and online at Journeys.com!
Color: Black
Style ID: 579279
  • Durable leather upper made with Brando, a waxy full-grain leather that develops a distressed finish over time for a worn-in vintage look
  • Adjustable forefoot buckle for a custom fit
  • Slingback strap with hook-and-loop closure for easy on and off
  • Slimmer footbed with a tapered toe shape ensures lasting comfort
  • Goodyear® welt construction with signature yellow stitching sews and seals the upper and sole together at 700°C for maximum durability
  • Air-cushioned PVC outsole delivers premium traction
  • Platform Height: 1"
  • Heel Height: 1.5"

When the Dr. Martens boot first catapulted from a working-class essential to a countercultural icon back in the 1960s, the world was pre-internet, pre-MTV, pre-CD, pre-mp3s, pre-mobile phones… hey, they’d only just invented the teenager. In the years before the boot’s birthday, April 1, 1960; kids just looked like tribute acts to their parents, younger but the same. Rebellion was only just on the agenda for some - for most kids of the day, starved of music, fashion, art and choice, it was not even an option. But then an unlikely union of two kindred spirits in distinctly different countries ignited a phenomenon.

In Munich, Germany, Dr. Klaus Maertens had a garage full of inventions, including a shoe sole almost literally made of air; in Northampton, England, the Griggs family had a history of making quality footwear and their heads were full of ideas. They met, like a classic band audition, through an advert in the classified pages of a magazine. A marriage was born, an icon conceived of innovation and self-expression.

Together they took risks.

They jointly created a boot that defined comfort but was practical, hard-wearing and a design classic. At first, like some viral infection, the so-called 1460 stooped near to the ground, kept a low profile, a quiet revolution. But then something incredible started to happen. The postmen, factory workers and transport unions who had initially bought the boot by the thousand, were joined by rejects, outcasts and rebels from the fringes of society. 

At first, it was the working-classes; before long it was the masses.

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